Moby-Dick is a huge part of my life and despite my deep love for all creatures living in our oceans – the whales, sharks, the little fish, the big fish, deepwater fish, basically all of them – I can still enjoy Melvilles fiction, because at least no animals were harmed in the making of this novel.
I can imagine, that many use this book as a sort of reading companion to Moby-Dick, but I didn’t. I don’t like using reading companions in general. This is probably the rebel inside of me speaking, but I don’t want others to impose their interpretations, understandings or visions on me, before I have made up my own mind about it. When I read, I often don’t understand some parts or I overlook connections or details, but so what? In the end, I want the freedom to create my own images and my own interpretations while reading and this book would have simply overwhelmed me and my own understanding of Moby-Dick with Kishs way of seeing each and every page.
I really like his approach to turn away from the anonymous and super clean digital art we are so much used to at this point and go back to the old way of creating with your hands, not worrying about getting them dirty in the process. The outcome may sometimes be a bit messy and not as clean-cut and perfect looking, but it’s the imperfections that make it special and that is exactly what makes his art stand out for me. The fact he mostly uses some found sheets of paper kind of reminds me of the Russian Avantgarde, where the medium, on which the art was created was seen as an essential part of the whole artwork. And since whaling is a hand-on business, this is the way to go if you want to illustrate Moby-Dick.
Talking about avantgardish art – I find it absolutely fascinating how Kish depicts the whalers and the whales alike as machines made out of steel – cold and impenetrable at the same time. I have never looked at Moby-Dick this way before.